artyardrecords.co.uk valuation and analysis
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Meta Tags
| Title | Home |
| Description | Menu Home Buy Music on Bandcamp Contact and Distribution Menu Home Art Yard and Strut present the culmination of a 7-year project researching the archives |
| Keywords | N/A |
Server Information
| WebSite | |
| Host IP | 185.119.173.33 |
| Location | - |
Related Websites
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artyardrecords.co.uk Valuation
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US$1,982,329
Last updated: 2023-05-15 22:22:40
artyardrecords.co.uk has Semrush global rank of 5,339,328. artyardrecords.co.uk has an estimated worth of US$ 1,982,329, based on its estimated Ads revenue. artyardrecords.co.uk receives approximately 228,731 unique visitors each day. Its web server is located in -, with IP address 185.119.173.33. According to SiteAdvisor, artyardrecords.co.uk is safe to visit. |
Traffic & Worth Estimates
| Purchase/Sale Value | US$1,982,329 |
| Daily Ads Revenue | US$1,830 |
| Monthly Ads Revenue | US$54,896 |
| Yearly Ads Revenue | US$658,744 |
| Daily Unique Visitors | 15,249 |
| Note: All traffic and earnings values are estimates. | |
DNS Records
| Host | Type | TTL | Data |
| artyardrecords.co.uk. | A | 86400 | IP: 185.119.173.33 |
| artyardrecords.co.uk. | NS | 86400 | NS Record: ns1.tsohost.co.uk. |
| artyardrecords.co.uk. | NS | 86400 | NS Record: ns2.tsohost.co.uk. |
| artyardrecords.co.uk. | MX | 86400 | MX Record: 0 mail3.eqx.gridhost.co.uk. |
| artyardrecords.co.uk. | TXT | 86400 | TXT Record: v=spf1 a mx include:gridhost.co.uk ip4:95.142.156.0/24 ip4:195.62.28.0/23 ~all |
HtmlToTextCheckTime:2023-05-15 22:22:40
| Menu Home Buy Music on Bandcamp Contact and Distribution Menu Home Art Yard and Strut present the culmination of a 7-year project researching the archives of author, DJ and activist John Sinclair with the first ever retrospective of the influential Detroit Artists Workshop spanning 1965 to 1978. “In the mid-‘60s, Detroit was nowhere,” explains Sinclair. “A decaying jazz scene, no community of poets, painters or writers so a group of young Detroit artists, most of us students at Wayne State University, got together in the late Summer of 1964.” Led by Sinclair and trumpeter Charles Moore, the Artists Workshop Society was formed as a co-operative community, drawing upon the resources of every participating individual in order to perpetuate itself. They began to provide spaces in Detroit for musicians to rehearse and to promote live concerts showcasing a range progressive jazz artists across the city. Between the mid-‘60s and the early ‘80s, Sinclair amassed a huge archive of recordings |